Continuing the malangan inspired project

 

Building on the last post, I have now finished parts of the sculpture. The woman sitting on a chair is cast in resin and bronze, and I have carved some of the panels.

I have thoughts of creating transparent cages in different materials, as a further developement of this theme. Transparent fabric is very interesting as a medium it resambles skin and can be embroidered. Wire is another material that can be very interesting in achieving transparent enclosed spaces. Some beautiful examples of this include sculptures made out of chicken mesh. Also some theatre costumes, more specifically the costume for the Minotaur in the Harrison Birtwistle reworking of the myth for the Royal Opera in 2008.

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The lighting is very interesting in the above image and in the show itself. With the use of lighting the mask can become opaque or transparent. This is very sophisticated use of transparency, symbolically sometimes the man dominates and sometime the beast.

I may incorporate a light, inside the enclosed space of the wooden panels, to make the sitting woman more visible. This will bring her into focus.

The changeability of meaning in the Minotaur mask is extremely inspiring for me as well. I have started working on a practice based research that is concerned with change.

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Continuing the malangan inspired project

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